Resources

Paul Hoover reads a poem he wrote in response to the works “Anonymity,” 2008-2011 (eight from a series of nine light boxes) by Poklong Anading and Chinese bronze mirrors (from the Asian Art Museum’s collection). These works are on view as part of the exhibition Phantoms of Asia: Contemporary Awakens the Past (on view at the Asian Art Museum from May 18–September 2, 2012). This presentation was part of MATCHA. Co-presented with Litquake.

Krishna overcoming the serpent Kaliya, 1400–1500. India; reportedly from Sundaraperumakoil, Tanjavur district, Tamil Nadu state, former kingdom of Vijayanagara. Bronze. The Avery Brundage Collection, B65B72.

The Wooden Fish Ensemble plays the music of Hyo-shin Na, including the world premiere of a new work based on A Meadow by Czeslaw Milosz for piano solo. Program includes commentary by Hyo-shin.

Artist Koki Tanaka discusses his works.

Learn about how people in Bali approach the story of Rama and see how to facilitate different forms of Balinese kecak with Gamelan Sekar Jaya and teachers at the Asian Art Museum.

Karasu Tengu (crowlike deity) mask, approx. 1800-1850. Japan. Netsuke; ivory with dark detail staining, inlaid metal. The Avery Brundage Collection, B70Y811.

Kanzan (Hanshan), by Tobai (Japanese), approx. 1500-1625. Japan. Hanging scroll; ink and light colors on paper. The Avery Brundage Collection, B60D39+.a.

Justin Chin reads a poem he wrote in response to the artwork, Absence of God VII, 2008 by Raqib Shaw. This work is in the exhibition Phantoms of Asia: Contemporary Awakens the Past (on view at the Asian Art Museum from May 18 – September 2, 2012). Co-presented by Litquake.

In his most recent work, Indonesian artist Jompet Kuswidananto explores political and cultural identity, particularly around the people and history of Java. Informed by theories drawn from the field of cultural studies, he connects local history to global movements with a focus on the fragility of changing identities.