Resources

The Qin empire(221–206 BCE) of China lasted only fifteen years, but the rise of the state of Qin began several decades earlier, and Qin’s defeat of all the other rival states brought a definative conclusion to the Warring States period (475–221 BCE). Ying Zheng, the future First Emperor, ascended the throne of Qin in the year 247 BCE at age thirteen, and only a few years later launched a series of military campaigns against the neighboring states of Han, Zhou, Wei, Chu, Yan and Qi, defeating the last in 221 BCE, ‘as a silkworm devours a mulberry leaf ’ according to the Han historian Sima Qian.

We will refer to Ancient China as the time between the Neolithic period (ca. 6,000‒ ca. 1750 BCE) and the Han dynasty (206 BCE‒ 220 CE), which is roughly equivalent to the period of the Roman Empire in the West. This is the formative stage of Chinese civilization. During this time, what we now call China developed from a collection of isolated cultural communities to a set of organized states which eventually coalesced around the idea of a single unified state, and then expanded to include contact with other civilizations.

Create a zine to reflect and critically consider identities and the relationship between identity and context.

Understand the importance of Carlos Villa’s work to prioritize and spotlight artists who are underrepresented.

Lesson: Interview a grandparent, parent, guardian, or community member about their childhood, immigration story, family traditions or celebrations.

Asian Art Museum Storyteller, Liz Nichols, tells a Japanese story about Amaterasu, the sun goddess, in the museum’s Japan galleries.

Lesson: Compare and contrast experiences between Kay Sekimachi and the characters of When the Emperor Was Divine by Julie Otsuka during Relocation and the Internment Camps to draw themes about the treatment of American and Japanese cultures and the erasure of individuality during World War II. 

Lesson: Students will take inspiration from Sekimachi and write a short essay on the cultures, celebrations, and traditions that represent them.  They will then create a poster, slideshow, or video that illustrate your essay.

Lesson: Wong’s memoirs—Fifth Chinese Daughter (1950) and No Chinese Stranger (1975)—offer students many opportunities to examine issues related to Asian American identity, history, art, and storytelling.  Depending on how much time you have, you can assign one or both books or specific passages; no matter the length of the reading, Wong’s stories and reflections lend themselves to provocative discussions.